Hilden & Diaz – Forms in Nature

Hilden & Diaz - Forms in Nature

Title:  Forms in Nature
Artist Name:
  Hilden & Diaz
Material:  Polymer
Dimensions:  60cm x 60cm x 60cm
Year:  2012

Why It’s Notable:

Light can be functional, decorative, or both.  The light from Forms in Nature is both.

As furniture designers, we usually think about the form of our furniture and how light will fall upon it.  Because light is usually not integral to woodwork, we have little control over how the two will interact.

Hilden & Diaz have taken light and made it an integral part of the design.  The light is manipulated to cast shadows created by the frame of the chandelier.

As I continue to design, I am realizing that I want to incorporate materials other than wood (including light) in my work.  In Deconstructed, I used a urethane resin for the casting and I incorporated metal into the base of Maple Slab Table.  I want to incorporate light into a future piece, probably in a decorative manner.

Maya Selway – Kishu Vase

Artist Name:  Maya Selway
Title:  Kishu Vase
Details:  circa 2012 – Oxidized copper

Why It’s Notable:  We get so accustomed to thinking of things as the way we know them (vases hold liquid).  When we challenge the way we think about things, it opens up new possibilities.  Maya Selway has not only challenged the definition of a vase, but also what a finished piece should look like.  In this case, the end product looks like nothing more than an incomplete conceptual sketch.


This is the third slide from my PechaKucha presentation.

Cribbage Board

Cribbage Board

Hardware Inspires Me

Experienced woodworkers know that one of the keys to a successful project is to have the hardware that will be used on-hand before the planning stage is complete and building begins. While having a thorough (and accurate) understanding of the hardware is one reason to explore what is available, I also study hardware for inspiration.  The wide variety of hardware available today exhibits so many textures, lines and shapes.  Here are some of the pieces of hardware from the Lee Valley Tools Ltd. catalog that inspire me.

Sometimes I think about what the piece of furniture I might build would look like to go with a particular piece of hardware.

Cast Steel Hands from Lee Valley Tools Ltd.

Other times, I visualize a certain element of the hardware incorporated into a design.

Hollywood open handle from Lee Valley Tools Ltd.

Or I may imagine the pull or knob scaled up as a piece of furniture.

Playful Nature handle

The Eastside Culture Crawl is an annual event where artists of various mediums open their studios to the public.  This pair of antique nickel pulls with a decidedly organic design are from exhibitor Big Bang Boom.  Both are the same size and shape, but not quite identical.

These pulls are the type of hardware around which I could design something.  This page of my sketchbook shows some of the possible orientations for the pulls.

A page from my sketchbook

While sketching I focus on drawing as many possibilities as I can, regardless of whether I think they are good ideas or not.  I feel that the two pulls should be located close together to visually tie them together.  That suggests they would be used as door pulls rather than drawer pulls which are typically mounted in the middle of the drawer to prevent binding when opening.

Or is there a way to have them as drawer pulls close together and not have the drawer bind?

Wharton Escherick – Spiral Library Ladder

Artist Name:  Wharton Escherick
Title:  Spiral Library Ladder
Details:  The first was made in 1966 out of walnut.  Several more were made in walnut and cherry, left- and right-handed.

Why It’s Notable:

Jonathan Fairbanks, an authority of American furniture design described it as “one of the great masterpieces of American furniture, perhaps the most wonderful work ever produced in American furniture.  It is pure sculpture, yet at the same time it is beautiful furniture”.

I love this piece because its form appears so simple, yet complex at the same time.  The success of the design relies on curves, joinery, sculpture, and careful proportions.  It appears sturdy while lightweight at the same time.

Yoshio Mochizuki – BL-B493

Bunacolamp by Yoshio Mochizuki

Artist Name:  Yoshio Mochizuki of Bunaco
Title:  BL-B493 (Bunaco Bracket Lamp)
Details:  Beech, ∅300mm  x 125mm

Why It’s Notable:

The form is very interesting, but what is even more fascinating is the process used to make the lamp.  Watch this video (3:02) to see the how their vessels (a speaker housing in this case) are shaped.  The takeaway: there is always room for innovation.

Lennart Van Uffelen – Tafel.01

Tafel.01 by Lennart Van Uffelen

Artist Name:  Lennart Van Uffelen
Title:  Tafel.01
Details:  circa 2011 – Ash, Stainless Steel, 120cm L x 80cm W x 75cm H

Why It’s Notable:

Somebody once asked me how to be artistic.  My suggestion was to start with something functional, then add or remove from it until you are done.  By replacing one leg with an axe, this piece remains functional, yet is transformed into a work of art!

Stephen Gleasner – There You Are

There You Are by Stephen Gleasner

Artist Name:  Stephen Gleasner
Title:  There You Are
Details:  circa 2010 – Plywood, 30″ x 48″

Why It’s Notable:

While most woodworkers try to hide the layers of plywood, Stephen Gleasner embraces them.  He carves into the face of plywood to reveal patterns reminiscent of a topographic map, then applies dyes to the surface to enhance the design.

Secret Carpentry by Maskull Lasserre

Secret Carpentry by Maskull Lasserre

Artist Name:  Maskull Lasserre
Title:  Secret Carpentry
Details:  circa 2011 – 26″ x 6″ x 2″

Why It’s Notable:

An axe, to most people, is an unremarkable object – just an axe.  However, if you take any item and embellish it, it becomes more distinct and meaningful.  This piece reminds me that anything has the potential to be a work of art.

Kino Guérin – Why Knot

Why Knot by Kino Gurin

Artist Name:  Kino Guérin
Title:  Why Knot
Details:  circa 2011 – Smoked Oak Plywood, 58″ x 28″ x 28″

Why It’s Notable:

When I think of plywood, I think of flat sheets that are good for building cabinets.  I might consider bending and laminating plywood to create a moderate curve for the top of a chest or a round furniture part, but form the plywood into a knot?  How this piece was made is not apparent.

The sharp contrast between the smoked oak faces and light-coloured edge is also nice.

Christy Oates – Crab Desk

Crab Desk by Christy Oates

Artist Name:  Christy Oates
Title:  Crab Desk
Details:  circa 2009  -  Plywood, maple veneer, steel hinges, acrylic paint, wood dyes
Flat:  48″W x 35″H x 1-1/4″T
Opened:  48″L x 14″W x 35″H (Desk) and 13″L x 13″W x 17-1/2″H (Stool)

Why It’s Notable:

This piece merges wall art with furniture and takes collapsible furniture to a new level.  A few folds and flips transform a picture of a desk into an actual working desk complete with a stool.  When not needed, both the desk and stool disappear into the wall.