Wireframe Cabinet

Wireframe Cabinet

Ever since I started Insanity 2, I’ve been thinking about cabinets. It seemed to me that cabinets meant for displaying things more often than not accumulated so many things that they ended up looking messy.

I realized that the problem was that too much horizontal surface was available. My solution was to provide only enough space for one item. I sketched a few designs before I figured out that I could make the cabinet from a single line.

I first made a model, Wireframe Cabinet Mini using scraps of maple I had laying around. This version was only two feet tall and I used bridle joints at all the corners.  I don’t remember why I decided to twist the post, but I liked the effect.

Wireframe Cabinet Mini

After building Wireframe Cabinet Mini, I realized that there were many other paths that the line symbolizing the cabinet frame could have taken to arrive at the centre. I returned to my sketchbook and drew as many as I could.

This is the other path I liked that gave the cabinet frame a closed feel, which I wanted.  (I may build some frames that are more open at a later date.)  I decided to try mitres with blind splines.  (While I was happy with the look of the bridle joints and mitre joints, I would like to try splined mitres next time.)

Wireframe Cabinet Right

The object of interest rests on the centre cradle and is framed by the cabinet members.

Wireframe Cabinet LeftThe frame looks different from every angle.

Wireframe Cabinet Front

The post is rather curvy and twisted indeed.

Wireframe Cabinet Top

This piece is for sale. Learn more about it on the product page.

Links:

Armature Wire as a Modelling Tool

I have been looking for a material which can be used to develop scaled-down furniture designs.  I wanted something tangible that I could handle and manipulate. I wanted something that could be used to easily create a scale model of furniture that I could hold in my hand and easily make modifications.  Many options for modelling a design were available to me, including CAD, hot glue and coffee stirrers, but none of them felt right to me.  Then I discovered armature wire.

What is Armature Wire?

Armature wire is used for modelling.  It is used to provide strength to other materials such as concrete in buildings, or clay in models.  The aluminum wire is easily shapable by hand and is less prone to metal fatigue that other materials (I folded the 1/16″ wire over itself six times in the exact place before it broke).  Six dollars bought me 32 feet of the lightest gauge. Armature wire is round; however, I know that flat aluminum wire is also available and I would like to try that as well.

Day One with Armature Wire

For practice, I created this model of a table base with twisted legs in about five minutes.  I didn’t bother making the twisted aprons as well.

Table with a Twist - WireframeThe exercise of making the table base was fun, but not revolutionary or groundbreaking in the least… until I inverted it.  Suddenly, I had a four-post bed with twisted legs.  Cool!  (Does anybody want to commission me to make such a bed?)

Bed with a Twist - Wireframe

Another Intriguing Option: Taskboard

Another modelling product that I was made aware of is called Taskboard – an ultra-light wood fibre board designed for modelling.  When sprayed with water on both sides, it could be moulded into curves and other shapes.  I found some videos on Taskboard’s website that showed how to use the product and a gallery of models made with Taskboard (the submissions from the 2013 spring semester at Savannah College of Art and Design are impressive!). I am waiting for my local art supply store to get their delivery. Links:

Insanity 2: The Top

Last week, I put three sheets of 1/8″ Baltic birch plywood between two forms I made to create the top of the cabinet for the doors.

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Although the glue-up seemed to go smoothly, I couldn’t be sure of the success until I removed it from the form.  I let the bent lamination set for two days before I unclamped it.  

In this video, I recapped my progress with Insanity 2 and removed the cabinet top from the form.  (Duration – 6:43)

The lamination appeared to be a success, but I couldn’t be sure until I trimmed the excess to see the actual edges of the top.  I used handsaws guided by the form to cut the top into a rectangle.

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Yes, it was a success!

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Then, I clamped the top in my vise as best as I could and planed the edges straight and smooth.  I was really happy with the result.  The asymmetrical shape of the top provided me with some ideas for the rest of the cabinet.

IMG3209

I suppose the cabinet sides are next?

Exhibition at Gallery Bistro

Since many of my readers are too far away to come to my exhibition, I have this video to provide an idea of what it looks like.  (As a reminder to my local readers, the Gallery Bistro is open 10am-3pm Tuesday through Sunday and I am at the gallery most Sundays.)

Some pieces which you may not have seen previously appear in the video and can be found in my  Gallery.  The video also shows different angles of the pieces with which you are already familiar.

I would suggest watching the video in high-definition.  The video is 8:36 long and free of dialogue.

Hilden & Diaz – Forms in Nature

Hilden & Diaz - Forms in Nature

Title:  Forms in Nature
Artist Name:
  Hilden & Diaz
Material:  Polymer
Dimensions:  60cm x 60cm x 60cm
Year:  2012

Why It’s Notable:

Light can be functional, decorative, or both.  The light from Forms in Nature is both.

As furniture designers, we usually think about the form of our furniture and how light will fall upon it.  Because light is usually not integral to woodwork, we have little control over how the two will interact.

Hilden & Diaz have taken light and made it an integral part of the design.  The light is manipulated to cast shadows created by the frame of the chandelier.

As I continue to design, I am realizing that I want to incorporate materials other than wood (including light) in my work.  In Deconstructed, I used a urethane resin for the casting and I incorporated metal into the base of Maple Slab Table.  I want to incorporate light into a future piece, probably in a decorative manner.

Broken Square

Broken Square originated from a drawing in my sketch book.  I had been playing with variations of a cube when this form emerged.  In the drawing, it stood on two edges but I later realized that it would sit nicely on three points.

Broken Square Sketch

Intrigued by the form, I built a version using square cherry stock.  Although I liked the appearance, I was surprised at how expansive it was – at only 14.5″ tall, it approached a diameter of 40″.

Broken Square

I mitred the corners and reinforced them with floating tenons.  Rather than leave the supporting corners sharp and vulnerable, I flattened them slightly.  I was relieved that this did not diminish the effect of the form.

Originally, I built Broken Square to help visualize the form and saw it as a sculpture of sorts.  When I stood back and looked at it, I realized that the design would work well as a table, particularly if scaled to be taller.

You can find Broken Square in my Store as well as my Gallery.

Let me know what you think of the form and possible variations in the comments section.

Stories from Artwalk, Part 1

During Artwalk, I showed my work in Gallery Bistro (2411 Clarke Street) with three other artists:  Bronwen Belenkie, Clive Tucker and Mandara Lebovitz.  Our exhibition will continue through April 28th. The gallery is open 10am-3pm Tuesday through Sunday.

Background

The building in which I exhibited was recently bought by husband-wife duo Rainer (pronounced Rye-ner) and Helen Daniels.  There is a cafe in one half of the building and an open gallery space in the other half (behind the white bars which were removed before the show).

Gallery Bistro

Moving Day

The Thursday before Artwalk was our set-up day.  It began with a knock on the door from Rainer Daniels and together we moved Relationship Study in his pick-up truck, upside-down.  The table fit neatly between the wheel wells and was a few inches of the closed tailgate.  The rest of my work, including one of my latest pieces, There is Not Always Light at the End of the Tunnel, was loaded into another vehicle.

There is Not Always Light at the End of the Tunnel Front

Setting Up the Gallery

After we got my work into the gallery, Bronwen and Mandara arrived with their 2D art and begun to install their work on the walls with nails.  There was a moment when we all watched as Bronwen’s young son, who was helping, set down his claw hammer on Relationship Study in what seemed like slow motion.  Luckily, there was no damage and we decided that it would be a good idea to cover the table with moving blankets.

Centre

Last to arrive was Clive.  His colourful ceramics filled the large shelf unit and a table at the end of the space.

Together, our work filled the floorspace and shelves and covered the walls.

Left Wall

The Front Windows

Gracing the left front window and enticing passers-by were Clive’s Triceratops, Bronwen’s Looking Up At Alders and my shelf Deconstructed.

Left Front WIndow

In the opposite window you can see Mandara’s Dragon River and my sculpture Something Like That.

Right Front Window


This is the final slide from my PechaKucha presentation.

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I had hoped to have the video of my PechaKucha presentation by now, but I do not have it.  I will post it when I get it.

In Preparation of Artwalk

Art is Now in the Trees

I’ve installed Reaper in the tree outside of Gallery Bistro, where I’ll be showing my work during Artwalk.  I made signs for it, too.

Reaper Installed

I’ve also installed Graft (table in a tree) and more signs.

Graft Installed

Newspaper Publicity I, along with Reaper was featured on the front page of the Arts section of Tri-City News in print and online.  (Also included with the online article is a list of all the artists, what they do, and their venue at which they’ll be exhibiting.)

Chris Wong and Reaper

Updates to my Store and Gallery

I’ve updated my Store to include Reaper and Graft, each of which will be on a silent auction April 13-14, as well as my recently completed sculpture which is currently untitled.

Yew Sculpture FrontI also updated my Gallery to include the above three pieces, and the cherry coffee tables.

Cherry Coffee Tables

Featured at Port Moody City Council to Promote Art and Artwalk

My cribbage board was this week’s Art at Council feature piece, shown at Port Moody’s City Council meeting on Tuesday.

Apple Cribbage Board II Front This is the write-up from their website:

Chris Wong is a Port Moody artist who works under the name of Flair Woodworks.

He draws inspiration from the unique characteristics and natural beauty of local trees that have fallen due to storms or building development. Rather than start with a plan, then find suitable materials, Chris starts with materials full of character and develops a design to suit. This process leads to very unique results that maximize the potential of the wood.

Chris’ work comes in many sizes. From small items like the cribbage board we have on display tonight, which happens to be made from an apple tree he found in Burnaby to large items such as free-standing sculptures and tables. All of it has one thing in common: Chris’ flair.

A Busy Weekend Ahead!

Thursday, I, along with three other artists, will begin setting up our work for Artwalk in Gallery Bistro.  Friday I teach a seminar at Lee Valley Tools Ltd. before attending Artwalk’s Opening Reception.  Then Saturday and Sunday feature Artwalk – the main event!


This is the nineteenth slide from my PechaKucha presentation.

C.Wong-19

Relationship Study

Table in a Tree

Last weekend, I met with some of my fellow Artwalk participants and showed them the yellow cedar chair that I’d built to hang in the tree outside The Bistro Gallery where I will be showing my work.

Chair in a Tree

Chair in a Tree

They loved the concept and encouraged me to make another piece for a second tree.  So, that’s what I decided to do.

I documented my progress live on Twitter using hashtag #FlairWW (follow me @FlairWoodworks) which was useful because each update had a time stamp so followers could see the rate at which I progressed.  I compiled the photos and Tweets into a video (duration – 10:21).


This is the eighteenth slide from my PechaKucha presentation.

C.Wong-18

Relationship Study

Chair in a Tree

Saturday was a full day in the shop.  After breakfast, I went down to the shop and built 90% of a chair which will be installed up in a tree.  (In case you missed it, here’s the back story.)

ArtWalk Tree Art I documented my progress live on Twitter using hashtag #FlairWW (follow me @FlairWoodworks) which was useful because each update had a time stamp so followers could see the rate at which I progressed.  I compiled the photos and Tweets into a video (duration – 22:41).


This is the fourteenth slide from my PechaKucha presentation.

C.Wong-14

Something Like That